Tanner’s selection from Cannan’s “For a Girl”

As someone who is a current novice in poetry, all of these poems really opened my eyes for the better. In an act of standout, I ultimately chose the poem For a Girl by May Wedderburn Cannan because not only does it take place on the day of Armistice, but it also is painted from the view of a woman at home. Many of our stories touched on Armistice, but here it is a headline. I frequently held a wish to see our characters in a time of peace, and For a Girl gives a little insight to this life. While this poem provides a look into the celebration of Armistice, it also sheds light on the conjoining grief for those who cannot celebrate. For a Girl does a great job at showing the emotion of conditional happiness; yes, the end of war is a time of joy, but it is also a time of sorrow for those lost–and a plea they won’t be forgotten. Additionally, I always found interest in the life of those at home. This interest started with Mother and Mrs. Evans-Mawnington and how they viewed the war, so this poem provided a contrast to their encouragement. To look at the war with a different definition of a home-front, the ones left behind, is something very thought provoking. 

 I found For a Girl to be very moving for me as a reader. The poem provided the raw felt emotions of sadness, celebration, anger, and mourning all into one piece. A life after the Armistice was similarly taken from the speaker. Furthermore, the poem can be vague in who it is addressing: a father, a lover, a friend? This curiosity gives a meaningful interpretation to the poem; the vagueness provides a blanket understanding of grief, since death is now a uniter. In the end, I believe this poem was an appropriate choice because it opened my eyes to the complexity of the end of war. While this was a day to celebrate, many did not have someone to celebrate with. For a Girl provides a look at the people, specifically women, who stayed behind. I am ever curious about the women in war-time, and this poem gave me a small peek into the sorrow-stained curtain. 

Blind

After finishing all the stories, I have to say that the story Blind has probably (definitely) hit me the hardest. (Slight spoilers ahead!!!)

I don’t really know why it had such an affect on me. It may be because I felt so bad for the blind man and his confusion. I think the dialogue between the nurse and the man at the end, where he is scared of being abandoned and she has to lie that she didn’t forget about him, hurts to read. Especially due to the fact that I, as the reader, also forgot about him for a split second while going through the story. So, in the end, I felt the same emotions of sadness and guilt as the nurse. Overall, I felt most moved by these two together, for whatever reason I can’t fully decipher yet.

That ending….

This really flipped the previous novels’ endings on their head (and I don’t know how I feel about it). I feel horrible for Catherine. Yes, she could be annoying and out of touch, but her ending was just awful. Along with that, I HATE Frederic. Your wife is literally dying, and you are at a restaurant drinking beer?!?!? He has honestly left me speechless…like…yea.

Farewell to Frederic. FINALLY.

Tanner’s Reading Question for September 16 (Not So Quiet…)

  1. The narrator, Smithy, mentions “Mother and Mrs. Evans-Mawnington” when talking about her days in war, what she sees, and what she hears, starting on page 90. It is as if she is walking them through her life in the war and showing them around. She interrupts herself to address these women. Why does she mention her mother and Mrs. Evans-Mawnington when accounting events of war days? What is the effect? Does Smithy seem to hold anger or sadness in these moments (or both)? What can this say about the older generations compared to the generations involved in the war?
  2. In chapter five we are met with B.F. preparing to leave, the women giving speeches, and a argument between Skinny and Tosh. Given this range of relationships, how can we compare and contrast the friendships between the women drivers and Paul with his comrades on the front? More minutely, what is there to be said about the relationship these women have to one another, be that dislike or closeness, and how relationships are formed or broken in their situation? Does the proximity play a role in their attitudes towards each other or is it outside forces?
  3. In chapter 6-8 it is mentioned that The Bug is not doing well mentally and physically due to the war, and the way she is treated by Commandant. Tosh and Smithy hold intense worry for her and try their best to help. How does seeing the effect of the war on The Bug, who is not on the front but still being traumatized in similar ways, shape your view on the job of ambulance drivers? What is the emotional response to the horrors of the job explained throughout the latest chapters, especially in effect of the characters: Smithy, The Bug, and Tosh? What is the war and the job doing to them?

Extension of class discussion

In our final class discussion of All Quiet, we touched on the religious mentions and imagery throughout the novel. This made me think of a scene in the middle of the novel when Haie brings French bread with a little blood on the corner of it. The blood and bread brought to my mind the blood and body of Christ (bread as the body and wine as the blood). They don’t have wine but in war blood is always present. I haven’t thought this out much, but I think it is an interesting way to read that moment under religious ideas.

All Quiet Class Discussion

When we were reading the passage about the soldiers feeling like boys and the character Franz Kemmerich, a specific line stood out to me about age.

” That is Franz Kemmerich, nineteen and a half years old (…)” (in my book page 29)

The use of “nineteen and a half years old” had me thinking of why this specification of “and a half” seems so important. In my mind it could be one of two things: aging Franz up, even if by a little, so it makes his death more conceivable; closer to twenty so the term “-teen” isn’t present, which makes him seem younger. Alternatively, this half could be a cry of outrage. This can fully emphasize how young he is, so “and a half” even matters at all.

Does anyone else have any thoughts on this line??

All Quiet

One thing I am really appreciating with this book is the intense emphasis on how war changes/affects all the men involved. A favorite comparison of mine throughout is how the men on the front become “animal” or “human animals” when it is time to fight. Especially due to the fact that they have horses on the front as well, it is as if war requires only animals to “get the job done”. This book, so far, truly acknowledges this inherent change war brings upon people, which is eye opening.