Classical Connection

There was one concept brought up last class that was briefly discussed but I wanted to elaborate on it further. In relation to “The Bowmen” by Arthur Machen, Dr. Scanlon brought up the idea of classical literature such as the Odyssey or the Aeneid. These texts often include a concept called “Katabasis”, a Greek word meaning descent into the underworld. In these legendary epic texts, the hero would journey to the realm of the dead for insight, information, protection, or another reason. We see a similar concept happen in reverse, where the dead are seen as coming up to protect the soldiers on the battlefront. It’s also fascinating as often katabasis for the hero included talking to another hero who passed or a loved one. These soldiers were protected by similar figures, those who fought for Britain in the past, similar to the idea of another hero in the underworld. I really loved hearing the classical connection in the class, and wanted to talk about it a little more!

Angels of Mons = The Bowmen

I’d heard of the legend of the Angels of Mons, an ethereal force that saved the badly outnumbered British forces at the Battle of Mons, before. Halfway into reading ‘The Bowmen’ I realized that this story seemed familiar and, through a Google search that was initially trying to find the vegetarian restaurant mentioned in the story, discovered that this story is thought to be the starting place for that legend. Thought that was pretty cool. Now I want to find the place I originally read about the legend, because if I recall correctly it had a cool “friendly ghost story” vibe.

Sarah’s Reading Questions for Sept. 23 (Graves, Machan)

  1. In Christmas Truce, Robert Graves ends on what appears to be a hopeful note when Dodger urges an idealistic Stan, “Don’t be talked out of your beliefs!” (326). At the same time, Stan’s grandfather voices a darker warning that war breeds an endless cycle of violence. How do you understand this tension in the ending—does it affirm the possibility of renewed compassion in the younger generation, point toward inevitable disillusionment, or gesture something else entirely?
  2. Arthur Machen’s The Bowmen imagines supernatural forces intervening to protect English soldiers and secure victory over the Germans. How might the story’s impact differ for those directly engaged in the war effort—whether fighting on the front lines or working in supporting roles—compared to those at home? In what ways could such a tale serve as a source of morale and patriotism, yet also risk alienating soldiers and workers?
  3. Both Christmas Truce and The Bowmen highlight fleeting moments of hope amid the devastation of war, while All Quiet on the Western Front and Not So Quiet confront readers with stark realism. How should we make sense of these contrasting portrayals, and what do they reveal about how war was pictured—or even aggrandized—by outsiders compared with the lived experiences of those who endured it?