{"id":516,"date":"2025-09-24T00:03:02","date_gmt":"2025-09-24T00:03:02","guid":{"rendered":"https:\/\/litgreatwarf25.themanger.net\/?p=516"},"modified":"2025-09-25T20:43:18","modified_gmt":"2025-09-25T20:43:18","slug":"julianas-reading-questions-for-september-25th-hall","status":"publish","type":"post","link":"https:\/\/litgreatwarf25.themanger.net\/?p=516","title":{"rendered":"Juliana&#8217;s Reading Questions for September 25th (Hall)"},"content":{"rendered":"\n<ol class=\"wp-block-list\">\n<li>In the book <em>Not So Quiet<\/em>, the story is written in Helen&#8217;s point of view with first person. Giving the readers insight on her thoughts. Aldington does something interesting with <em>The Case of Lieutenant Hall and<\/em> writes it in a &#8220;diary entry&#8221; format. How does Aldington\u2019s &#8220;diary entry&#8221; framing of the story complicate or aid the narrative of the idea of victory and \u201cthe end\u201d of the war? What does the format reveal or possibly leave out in contrast to stories like <em>Not So Quiet <\/em>and <em>All Quiet on the Western Front<\/em>?<\/li>\n\n\n\n<li>After Lieutenant Hall&#8217;s mental sanities spiral throughout the diary entries, filled with troubling and disturbing details. But still had intimate moments, what is the significance of the cold and robot-like tone of the coroner\u2019s report at the end and what does it about societies behavior towards returning soldiers? <\/li>\n\n\n\n<li>In <em>The Case of Lieutenant Hall<\/em>, money and influence was brought up on several occasion in terms of the war. How does Lieutenant Hall\u2019s discharge process expose inequalities of class wealth and influence, and what does this suggest about who was able to leave or &#8220;escape&#8221; the war more quickly? What other points does Hall make towards the end of the story about &#8220;paying one&#8217;s own way&#8221; and can that be interpreted. <\/li>\n<\/ol>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":55,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-516","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/litgreatwarf25.themanger.net\/index.php?rest_route=\/wp\/v2\/posts\/516","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/litgreatwarf25.themanger.net\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/litgreatwarf25.themanger.net\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/litgreatwarf25.themanger.net\/index.php?rest_route=\/wp\/v2\/users\/55"}],"replies":[{"embeddable":true,"href":"https:\/\/litgreatwarf25.themanger.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=516"}],"version-history":[{"count":1,"href":"https:\/\/litgreatwarf25.themanger.net\/index.php?rest_route=\/wp\/v2\/posts\/516\/revisions"}],"predecessor-version":[{"id":517,"href":"https:\/\/litgreatwarf25.themanger.net\/index.php?rest_route=\/wp\/v2\/posts\/516\/revisions\/517"}],"wp:attachment":[{"href":"https:\/\/litgreatwarf25.themanger.net\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=516"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/litgreatwarf25.themanger.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=516"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/litgreatwarf25.themanger.net\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=516"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}