{"id":1504,"date":"2025-12-01T18:55:31","date_gmt":"2025-12-01T18:55:31","guid":{"rendered":"https:\/\/litgreatwarf25.themanger.net\/?p=1504"},"modified":"2025-12-01T18:55:31","modified_gmt":"2025-12-01T18:55:31","slug":"anthem-for-doomed-youth","status":"publish","type":"post","link":"https:\/\/litgreatwarf25.themanger.net\/?p=1504","title":{"rendered":"Anthem for Doomed Youth"},"content":{"rendered":"\n<p>I find it incredibly interesting that Wilfred Owen&#8217;s short biography before his poems makes it a point to emphasize that he was a very religious man. But I thought his first poem was honestly anything but promoting religion. In my reading of &#8220;Anthem for Doomed Youth,&#8221; I found it to be a criticism towards religion and the Homefront in general for responding to eminent death with bells or prayers. The line that stuck out to me the most was &#8220;No mockeries for them now; no prayers nor bells.&#8221; He quite clearly (in my read at least) equates prayers and bells to mockery. Owen says the soldiers &#8220;die as cattle&#8221; painting the picture that these people were just sent to the slaughter house by going to war. Maybe he feels the Homefront is what is making a mockery of religion and he thinks there is a different way to practice? I am not sure. But still the poem felt like more of a criticism towards religion then a praise. Especially the end where he mentions the blinds and how a new day is like the blinds coming down (symbolizing new found ignorance with each new day people seem to forget about the tragedies of war or the deaths). Just interesting. <\/p>\n","protected":false},"excerpt":{"rendered":"<p>I find it incredibly interesting that Wilfred Owen&#8217;s short biography before his poems makes it a point to emphasize that he was a very religious man. But I thought his first poem was honestly anything but promoting religion. In my &hellip; <a href=\"https:\/\/litgreatwarf25.themanger.net\/?p=1504\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":25,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-1504","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/litgreatwarf25.themanger.net\/index.php?rest_route=\/wp\/v2\/posts\/1504","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/litgreatwarf25.themanger.net\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/litgreatwarf25.themanger.net\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/litgreatwarf25.themanger.net\/index.php?rest_route=\/wp\/v2\/users\/25"}],"replies":[{"embeddable":true,"href":"https:\/\/litgreatwarf25.themanger.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1504"}],"version-history":[{"count":1,"href":"https:\/\/litgreatwarf25.themanger.net\/index.php?rest_route=\/wp\/v2\/posts\/1504\/revisions"}],"predecessor-version":[{"id":1505,"href":"https:\/\/litgreatwarf25.themanger.net\/index.php?rest_route=\/wp\/v2\/posts\/1504\/revisions\/1505"}],"wp:attachment":[{"href":"https:\/\/litgreatwarf25.themanger.net\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1504"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/litgreatwarf25.themanger.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1504"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/litgreatwarf25.themanger.net\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1504"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}